Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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The feminist theatre collective She She Pop has been invited to the Berlin Theatertreffen for the first time, but with "Testament" a piece about their fathers, of all things. Appearing on stage with their fathers and using recordings of off-stage dialogues, the collective employs its signature confrontational style to examine the poignant and implosive issues inherent to the unspoken contract between generations. By Katrin Bettina Müller
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The cancellation of the Mozart opera "Idomeneo" in Berlin's Deutsche Oper for fear of reprisals from the Muslim community has unleashed a storm of protest. Harald Jähner, feuilleton editor of the Berliner Zeitung, finds the opera house's decision not only cowardly but dangerous.
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Berlin's favourite Russian writer Wladimir Kaminer sat on the scriptwriting jury at this year's Theatertreffen festival. He recounts the horrors of reading plays by the kilo and reminisces about his own dubious-sounding contributions to the dramatic arts.
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Thomas Ostermeier, director at Berlin's Schaubühne, has staged "Hedda Gabler". Henrik Ibsen, he says, has a lot to say about the world as we know it: morally improverished, metaphysically empty but not without hope.
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Is there an East / West war in German theatre? Is the Berlin Cultural
Senator an agent of sinister socialist forces? Is a new Wall going up
in the capital? Or are budget cuts finally bringing together what
belong together? A report from the Berlin battlefield. By Peter Kümmel.
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